Nice Body Cream photos
A few nice Body Cream images I found:
Prague

Image by Walker*
Invasion of the plastic animals
Italy’s Cracking Art Group brings a big dose of kitsch to Kampa
Gallery Review
By Tony Ozuna
For The Prague Post
September 17th, 2008 issue
The area outside Museum Kampa has been guarded the past couple months by 3-meter-high red poodles, with an equally large red bulldog posted on the terrace. The courtyard has been overtaken by huge plastic rabbits — all courtesy of the Cracking Art Group, a provocative and eco-friendly art collective founded in 1993 in the northern Italian town of Biella. These cute creatures, created from recycled plastic, serve as an enticement for a must-see exhibit of the group’s other works in the museum’s gallery space.
After passing the gigantic orange rabbits in the courtyard, visitors are greeted at the gallery entrance by a couple of bright yellow penguins; these serve as peppy little ushers, contrasting with the starker works in the first room of the museum’s permanent collection.
When you enter the room devoted to Cracking Art Group, the dignified space of Museum Kampa is transformed into a candy store of colorful plastic, like a mad scientist’s lab or veterinarian’s office gone wild.
Three large Chihuahuas (2007), painted tip to tail in shocking blue, orange and pink, sit at attention, wearing designer tennis shoes on their front paws. Lime-green penguins gaze into or out of the gallery from their positions at the riverfront windows. They could be monitoring their brood of three dozen yellow penguins situated outside, on a platform along the river.
Indoors, there are also groups of smaller animals from the “Cloned” series (2002) by William Sweetlove. Little green panthers seem to be walking on plastic water with pearls and dried chili peppers immersed in it. Blue panthers walk in water with floating apple slices and pink eggs. Cloned antelopes, horses, lions, giraffes and even orange elephants are bunched in a tool box, floating on water from which mushrooms are sprouting.
Paintings from the “Contamination” series (2008) by Marco Veronese combine photographed images of Old Master paintings, reworked, set under Plexiglas and padded in silicon. These are most effective when Veronese subtly blends his background of silicone drops, merging the colors into images such as butterflies or autumn leaves on top of iconic works like Johannes Vermeer’s Girl With a Pearl Earring.
Veronese also exhibits a series of paintings titled “Contemporary Fossils” (2007), which use drops of silicone in combination with images of seashells and fish in the background, or images of the earth with vast seas made from white or clear silicone and the American continents in blue.
Alex Angi is showing nine works from 2005–07 that are like a mass explosion of plastics. His works on the wall are more sculpture than painting — essentially squirts of plastic, like mounds of oozing multicolored tubes, some resembling flower stems with ice cream cones at the ends. Another piece is like an alien totem pole formed by a tall stack of blue spheres with funky outgrowths.
Carlo Rizzetti’s “Migraine” series (2006) has Roman columns smartly painted in bright pink, blue, yellow or toned-down “stone.” Mounted on the columns are heads of an old philosopher, long beard and all, each one offering a different variety of fruits, vegetables and other matter stuffed into the hair and around the neck.
Renzo Nucara has the largest paintings in the show, all from his “Resenfilm” series (2007). These are abstract splatters of paint and molten plastic with objects embedded onto the canvas, including film strips, leaves, assorted paper scraps and even a wrench.
A series of wall-mounted works by the single-named Kicco titled “2008” is the most topical, addressing global warming. Life-size penguins created from clear silicon look like they are made of ice. Some are placed on oval, reddish-colored mirrors crisscrossed with slashes of silicone. Others are lined up in rows and set in ice cubes. Letters on their bodies spell out the word “Frost.” Two other works also feature rows of penguins: “Hot” is written below one group over a sky of gold, and “Ice” is written below the other group, over a sky of blue.
While the collective works of Cracking Art Group are partly inspired by Jeff Koons’ kitsch, they also make a mockery of the recent “evolution” in art history. They are more akin to works by the early Dadaists such as Kurt Schwitters, a great collector of rubbish for his proto-recycled artworks.
With its tacky affront to “fine art,” Cracking Art Group’s activist attitude produces a true art for the people, effectively combining politics and humor and with an eco-ethos.
Southend Transport 102 109 RM172 RM1183 Routemaster VLT172 183CLT

Image by Beechwood Photography
This Southend Transport RM kept a red London Fleet number on the nearside.
Ian’s Bus Stop:
RM172 VLT 172 12/59 new: 5/5RM5/5: AEC, to Aldenham
12/59 L stored new (Loughton)
2/60 WW into service on 58, 256, 257 (Walthamstow)
61-3 WW
1/64 WW to Aldenham overhaul
1/64 WW from o/h
65-8 WW
from last body-swap with B20
8/67 WW repaint
68-9 WW
8/70 WW to Aldenham overhaul
8/70 NX from o/h (New Cross)
71-2 NX
7/73 NX to Aldenham repaint, and return
1/74 NX into store, and out again
11/74 NX into store
4/76 NX ..and out
PR (Poplar) B517
7/80 PR to Aldenham repaint, and return
10/81 PR to Aldenham overhaul
10/81 PR from o/h, B20
11/82 to store at Aldenham
12/82 PR return
4/83 W transfer (Cricklewood)
1984 W
4/85 S transfer (Shepherds Bush)
1986 S
7/87 AG transfer (Ash Grove)
11/87 AF withdrawn..
11/87 ..into store at AEC Southall
8/88 bought by Southend Transport, #102, blue/white
6/91 Transmatic lighting fitted, refurbished, repainted
WYJ857 12/93 re-registered, Southend Transport, showbus
12/93 withdrawn: Southend’s last
2/94 sold to Brakell (Cheam)
6/94 Reading Mainline #10: showbus
c5/96 accident damaged: repair by Leaside Buses
7/96 Reading Mainline #10
6/98 exported to Argentina
RM1183 183 CLT new: 7/5RM5/7
5/62 NB into service on 131, 282, 283
1965 NB
1966 NB
2/67 NB to Aldenham overhaul
2/67 FW from overhaul
from last bodyswap with B1216
1/85 T used on 38
7/87 BW withdrawn
4/88 red, yellow band
8/88 sold to Southend Transport #109
9/88 Southend, blue/white, #109
10/93 LH transfer to London Country #109 (Leatherhead)
operated schools then Christmas shopper services
*/93 LH used on 406, 408
12/93 LH repainted L&C green/green/red #4109
1994 LH passenger service on 406, 408, 410, 414, 473
5/94 LH used on 406
11/94 LH mechanical problems
1995 LH re-engined, new front dome, repainted Lincoln green
LH used on 410, 465
11/95 LH school contract, (2 months)
1996 sold to Nostalgiabus
c2/97 on loan to Timebus Travel, Watford
deroofed in accident, rebuilt, painted LT green, cream band
12/97 return to service: 306 to Kingston, Nostalgiabus
12/97 burnt out by vandals, scrapped
fat lip

Image by brocktopia
Should have set the camera to macro for this shot.
So, we had an hour left before we had to leave for the airport and decided to go for one last swim in the ocean. We caught a really big wave and body surfed it in to the shore. We both got pretty roughed up when it crashed. Dazed, we turned to head back out and an even bigger wave was riding in right behind the last one. We both got creamed. I hit my head and a shoulder hard and Colleen hit her jaw and bottom lip. When we came up she was bleeding pretty bad. I thought I was fine, but later my shoulder started swelling up and by the time we got the airport I could hardly use my arm.
At least it took our minds of having to go back home. We did get some funny looks in the airport walking around looking like a domestic abuse poster couple–and with Colleen carrying most of the bags because of my arm.






